The Voice of the Dramaturg
As both a verb and a noun, the word voice has many meanings and functions on multiple levels, a phenomenon that is remarkably analogous to the practice of dramaturgy. Thus, the topic title Voice of the Dramaturg allows for the requisite flexibility and provides a unifying theme for the third volume of Theatre Symposium. This volume of the proceedings from the June 1994 joint meeting of the Southeastern Theatre Conference and the Literary Managers and Dramaturgs in Atlanta, Georgia, addresses the question, What is Dramaturgy? Part I includes the contributions of the six symposium participants and concludes with the roundtable discussion by panelists. Part II is composed of refereed papers. These papers range from the highly theoretical to the practical and pedagogical. They reflect the diversity of what dramaturgy means in contemporary theatre
Castagno, Paul. *Theatre Symposium Vol. 3: The Voice of the Dramaturg*. Tuscaloosa: University of Alabama Press, 1995.
Table of Contents
In this table of contents it is visible which articles are included in this book. The titles are sorted by name in alphabetical order.
Janet Allen. “Confronting the Fear of Otherness: Indiana Repertory Theatre’s Production of ‘The Cherry Orchard’.” Edited by Paul Castagno.
Michael Lupu. “There Is Clamor in the Air.” Edited by Paul Castagno.
Nina LeNoir. “Improving Director/Dramaturg Collaboration.”
Paul Castagno, Anne Cattaneo, Shelby Jiggetts, Mark Bly, Michael Lupu, Paul Walsh, Susan Willis. “Symposium Discussion.” Edited by Paul Castagno.
Paul Walsh. “Listening: The Art of Collaboration at Theatre de la Jeune Lune.” Edited by Paul Castagno.
Shelby Jiggetts. “Mission’ and Multiculturalism.” Edited by Paul Castagno.
Susan C. Haedicke. “Breaking the Silence: Dramaturgy, Multicultural Collaboration, and White Privilege.” Edited by Paul Castagno.
Susan Willis. “Dramaturgy and the Community: Audience Development at the Alabama Shakespeare Festival.” Edited by Paul Castagno.
Thomas Pender. “The Dramaturg, the Past, and the Present: Period Pieces in Contemporary Society.” Edited by Paul Castagno.